Coin Necklace

This necklace was made from coins owned by artist Luba Lowry.  Luba is a fabulous painter who is a member of Gallery 209 here in Savannah.  (She also has her own gallery in Savannah's City Market.)  Last year Luba asked me to make a necklace using coins from her home country of Russia.  She loves my little enameled flowers, and we both liked the blue patina that had formed on one of the coins.  She also wanted me to add some text to the piece.  Aside from that, I had free rein.

The original sketch from when we first spoke:

Cool patina:

Arranging and making decisions:

Building the pieces:

       

 

And.... the finished necklace, which I'm in love with and want to keep!!

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More opals!

So, I temporarily arranged my lapidary tools, so that they are usable.  I obtained some rough opal (Mexican jelly opal, Australian boulder opal, and some Coober Pedy opal  (usually the white precious opal you see in commercial jewelry stores is Coober Pedy).  And then I found time in my week to actually play with the stones!  
Last night I cabbed these Australian boulder opals:
And it was fun and exciting, and maybe just a little addicting.  I left my machines set up, because I was tired and figured I would clean and tidy everything in the morning.
And then this morning I got up early and thought, 'Maybe while it's all still set up I could cut a few more...'  So I made these:
And then after photographing them and before cleaning everything up, I thought, 'You know, it would be a shame to put everything away without playing with the Coober Pedy...'  So I cut some of that too:
And then I had lunch, and started putting together a list of things to work on this afternoon/evening.  But a funny thing happened when I went back into my studio.  I thought, 'You know, It'd be a shame to leave out the Mexican opal.'  the other part of my brain replied, 'Yeah, but you'd have to use the saw on them first, and you didn't set it up yet, and then you'd have to clean it up...It would be a bigger mess.'  So I replied to myself, 'You are right.  If I am going to go to the trouble messing with the saw, I might as well cut some of the boulder opal too...'  And then this happened:
And it was 7:30pm.  
So THIS is what I did today.  I cut 31 stones!
And if I include last night....:
So.  I still have to clean up the big mess, and I need to get busy setting some stones!
 
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Opal Adventures

Recently I took a class at the William Holland School of Lapidary Arts.  My class was in opal cutting, and it is an understatement to say I ABSOLUTELY LOVED IT!

With the class, you paid for an opal kit (pieces of several different types of rough opal, both precious and non-precious) and you could also bring along opal of your own if you had it.  

For about 10 years (yes, a whole decade!) I have had this piece of Australian boulder opal.  I had never set it, because it was such a big, odd shape, and the back wasn't flat (so it rocked in place.)  I'm told that type of 'saddleback' is a common cutting technique used to increase the weight, and therefore price, of finished opals.  I brought this piece of opal with me to class in hopes of flattening the back and making the opal usable for my purposes.  After I flattened the back, this is what it looked like from the front and back:

   

It occurred to me that the back was SO MUCH PRETTIER than the front, so I decided to take drastic measures.

First I cut the opal into 2 pieces, and then I made the shapes more pleasing:

  

Next I added dop sticks to the back (speaking of which, I think I dreamed about dop sticks last night?) and ground and polished the opals with their new front sides:

  

 

Skip forward and I am back in my studio with my finished opals.  And I had a mission to finally set these 2 opals and make them into jewelry!  So, I'm making my bezels in the next picture:

 

Skip forward a bit, and here I am assembling the chain as I make it, notice my fingers are filthy from polishing!!

  

Skip forward even more, and here we have it!  Just in time for my next art show in Tampa on 10/26-10-/27.

  

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Cleaning and maintaining your posey rings

It's a fact of life that sterling silver tarnishes.  How fast it tarnishes depends on a number of factors, including how often you wear it, how you store it, what chemicals it comes into contact with (bleach, pool chemicals, detergents...), and even your body chemistry can make it quickly darken if you have a high acidity level!  It may sound high maintenance to you, but don't fret, it's really not too bad!  Here are some tips toward maintaining your silver jewelry.  

The point of owning jewelry is to enjoy wearing it!  So do just that!  If you are wearing your silver posey ring everyday, it will encounter constant abrasion from everyday situations.  For example, it rubs on your jeans when you reach in your pocket.  All this constant contact will keep any tarnish from building up on the surface.

If you were to set your ring on a shelf and walk away for a few months, it will happily darken in color.  In that situation nothing is preventing the sulfides in the air from building up on the surface.  I highly recommend that you store your jewelry in a small plastic bag, as it is a preventative measure that slows tarnish.  I ship almost every piece of jewelry in a small ziplock bag, and you can use this bag to store things if needed.

Let's say that you bought 3 rings from me (thanks!!)  You wear one ring almost everyday.  You set one ring on a shelf.  You wear the 3rd ring to swimming practice at the YMCA.  A few months go by... The first ring looks just fine.  The 2'nd ring has a yellow/brownish tarnish on the surface.  The 3rd ring turned black from pool chemicals.  What now?

Polishing cloths are your new best friend!


My favorite polishing cloth is Sunshine brand. It is what I sell in my shop, and often include a sample of with purchases.  It's gentle, and does a great job of making things shiny again.  

When you use the cloth (rubbing in on the ring's surface), it will turn black.  That does not mean it is removing the patina from the lettering on your ring, in fact it just means it's cleaning.  Notice in this next picture that a perfectly shiny ring still made the cloth turn black:

 Let's say that you didn't have your polishing cloth on hand, so you used a liquid style jewelry 'dip' or solution.  Sometimes that is fine, (and a GREAT option for removing tarnish from chains!) however some solutions are very strong and will not only etch glass and eat away stones and pearls, but they will remove the patina from the lettering in your ring!  (I recommend carefully reading the label of any cleaning solution before dipping your jewelry into it.) 

Now what?  How do you make your lettering dark again?  

The very easiest method using things you would likely have on hand involves a Sharpie marker and a polishing cloth.

You want to use the Sharpie marker to fill in the lettering on the ring.  You will get marker on the surface of the ring too, but that's expected.  The main thing is make sure the marker fills in the letters.  After you are done you will use the polishing cloth to clean the surface of the ring.  The cloth does not reach into the stamped letters, so the marker will dry and remain inside the lettering.  Cleaning the Sharpie off of the surface is much easier if you work quickly and don't give it a chance to dry.

That's it! :)

Before I end this post, I also wanted to reference this website, as I felt it gives a more thorough explanation of tarnish and various cleaning methods.

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Beginnings...

My first experiments with sculpture were done with wire.  I was in high school and created little wire ornaments, and even a huge (2 ft tall) wire dragon.  It was a love of art (in particular sculpture) that led me to art school, and into the Metals and Jewelry program.  I saw jewelry as small scale sculpture.  

Today I discovered these pieces from what would have my second year of college, I believe they are from 2000.  The chicken ring was part of a series of chickens I made.  The elephants were just for fun.  The littlest elephant is just ridiculously tiny!  I think I was seeing how far I could push the scale.  It is the only one without tusks.  The elephants are made of fine silver.

The chicken ring is made of sterling silver and fine silver.  It has wings that flap.

 

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